Monday, September 08, 2008

Two New Reasons to Read (or at least to listen to someone else reading)

This October, two of my favorite authors will be releasing new books. This is notable because (1) I rarely read because I sadly don't seem to have enough time to sit down and pick up a tome, so anything new in the world of bookdom is of interest to me and (2) it's my blog and, goldarnit, it's notable, okay?

Sarah Vowell caught my eye when she appeared on "The Daily Show" promoting her travelogue-cum-history-lesson Assassination Vacation. I was somewhat familiar with Ms. Vowell, thanks to her voiceover work as Violet from The Incredibles. Still, what struck me about her interview with Jon Stewart was her casual mention that he makes an appearance on the audiobook version, portraying twentieth president James A. Garfield no less. I'd never heard of an author who invites special guests to perform on her audiobook, and Vowell's latest book, The Wordy Shipmates, has a colorful cast of characters, including actors Peter Dinklage, Bill Hader, Catherine Keener, Dermot Mulroney, John Slattery, and "Daily Show" correspondents John Oliver and John Hodgman. The hardcover version of The Wordy Shipmates drops 10/7, as well as the audiobook version, which is totally worth the extra two bucks.

Speaking of "Daily Show" correspondents, resident expert John Hodgman got involved with the show thanks to an appearance on it promoting his first book, a compendium of complete world knowledge entitled The Areas of My Expertise, which in addition to amusing anecdotes about furry lobsters and the Mall of America, also included an exhausting list of 700 hobo names, which have since become the things of internet lore, inspiring an art project and a successful webcomic.

Well, he's back with another massive almanac, this one titled More Information Than You Require, which not only promises to explain "hermit-crab racing" and "how to cook an owl," but also comes with another 700 names, this time of Mole-Men, and will also include their occupations, whatever that means. While Hodgman's television personality (which includes portraying a PC in the incredibly popular Apple ads with him and Justin Long) is one thing, his style of writing is most definitely another, and while people who enjoy the former may not click with the latter, it's worth noting that if you can crack the dense layer of irony that comes pre-packaged with every Hodgman novel, sweet confectionery goodies lay beneath. More Information Than You Require drops 10/21. More info, including the entire book jacket, can be found on Hodgman's (awesome) official website.

Tuesday, September 02, 2008

Mirman on Palin

Eugene Mirman, the landlord from "Flight of the Conchords," wants to make sure all of America is informed about Vice Presidential candidate Sarah Palin before they vote this November. For example, did you know that Sarah Palin was raised by wolves (not same-sex wolves, of course) and that she bit a bear to death? Clearly, it must be true since it was reported in highly reputable online media!



More awesome stuff, including the animated "Get Your War On" series, can be found at 236 Video.

Sunday, August 10, 2008

Isaac Hayes (1942-2008)


Here's a little something to remember you by, Isaac.

We'll miss you.

Friday, July 18, 2008

Who's watching Apple?

I'm sure I don't need to remind anybody that the Watchmen trailer just came out and it is, indeed, quite badass. One thing I did notice is that on Apple's page for the HD versions of the trailer, there's a rather amusing error in the cast list: "Laurie Juspeczyk" and "Jon Osterman" are character names, not actor names. Oh, well.

I apologize for not posting as frequently as I used to. A lot of different things have been happening in the last few weeks, and unlike most other bloggers, I don't like writing about my personal life, mainly on the basis that it would probably bore most people to tears. I will say that I have finished a short screenplay I co-wrote with my friend, Stephen Ruiz, and hopefully we might be working on getting it shot before the year is out. We'll see...

Wednesday, June 25, 2008

The Flaming Lips Have Finished Their Movie!

I'm sure everyone already knew this, but after seven years in the making, Christmas on Mars is finally complete and has already begun making the rounds at various music festivals, including Sasquatch and Bonnaroo. In order to prepare the audience for the film, the Lips have made this brief PSA that plays before they screen it:



Now, if only they could get the multiplexes to put this in front of their feature presentation, rather than the dancing popcorn...

Monday, June 23, 2008

George Carlin, R.I.P.

George Carlin died Sunday at the age of 71. He will be sorely missed. Here's one of my favorite Carlin sketches from recent years:


Sunday, June 15, 2008

Get Smart Gets a Reality Check

The New York Times turned in a puff piece about the new Get Smart movie, basically talking about how hard it will be to update a television series making fun of the cold war for a modern audience, an audience made up mostly of kids and Steve Carell fans. However, the Times made a mistake by including a multimedia section showing three scenes from the television series and three similar scenes that will appear in the film, which prove beyond a shadow of a doubt what you probably already knew, but were afraid to admit: the movie sucks in comparison to the television show. You simply can't hire the two guys who wrote Failure to Launch and expect the same level of comedic brilliance that show creators Mel Brooks and Buck Henry provided.

So, it looks like both Get Smart and The Love Guru will blow, so you're just gonna have to hold out until next week when Wall-E comes out to get your comedy fix.

Wednesday, June 11, 2008

Movie Review: Futurama: The Beast With a Billion Backs

In the mid-2000s, something unusual happened. Futurama and Family Guy, two of the seemingly endless amounts of television programs Fox had cancelled at the start of the decade, were suddenly popular again, mostly thanks to a successful syndication of both shows on Cartoon Network’s Adult Swim lineup and strong DVD sales. Family Guy creator Seth McFarlane decided to exploit the situation, and revive the series for three increasingly formulaic seasons on Fox, as well as an upcoming spin-off, The Cleveland Show. In Futurama’s case, Matt Groening decided to take things in a different direction, choosing to create a series of direct-to-DVD movies, which would then be split into half-hour episodes for Comedy Central. While the first of these movies, Bender’s Big Score, oftentimes felt contrived and lacking in the biting satire that fans of Futurama had come to expect from its creator, The Beast with a Billion Backs actually feels like a feature-length film, and less like a series of episodes strung together.

What makes the new movie work is that writers Eric Kaplan and David X. Cohen (who co-developed the show with Groening) keep the subplots to a bare minimum and, thankfully, keep away from that nasty plot device called time travel. In the film, a giant hole in the universe has been ripped open, causing scientist Stephen Hawking (played by the real Stephen Hawking) to stage a conference for all the scientists to try and come up with a solution to the problem. Meanwhile, Fry (Billy West) starts a relationship with Colleen (Brittany Murphy), who gives him a bit of a surprise when it turns out that she has four other boyfriends. After discovering this, Fry dumps her and decides to jump through the rip in space, in order to start a new life. Once through the rift, he discovers a planet-sized, multi-tentacled monster called Yivo who falls in love with Fry’s universe and decides to mate with it. Strange, I know, and it gets stranger. Pretty soon, Fry becomes the Pope of Yivo’s new religion, and invites humanity to leave Earth and enter the other dimension. At the same time, Bender becomes a member of the secret League of Robots, whose mission statement to “Kill All Humans!” is pretty much ignored by its members, which include Calculon, Hedonismbot, and other familiar faces in the Futurama universe.

It may seem like a lot to swallow, but keep in mind that Bender’s Big Score had a lot more plotlines, and plenty of disorganization to go with it. The Beast with a Billion Backs keeps the energy focused on one story at a time, and only rarely pulls out some obscure character for a cheap laugh. The movie also benefits greatly from the casting of David Cross as Yivo, who injects some much-needed droll humor into an otherwise daunting character. Overall, Groening restores our faith in the future of Futurama with a wonderful new movie, and while it does represent a return to form, it doesn’t feel like a rehash of the same old jokes.

Tuesday, June 03, 2008

Radiohead: The Best Of (DVD Review)

Capitol Records drove the final nail into the coffin that was Radiohead’s contract today, with the release of a massive selection of greatest hits compilations, including a single-disc edition, a double-disc limited edition, a quadruple-LP edition, and a DVD featuring all of their videos. All of these came with the somewhat unoriginal title Radiohead: The Best Of, a puzzling choice considering so many of their song titles would make wonderful alternatives. What about No Surprises...or Exit Music...or We Suck Young Blood? Anyway, if you’ve already got most of Radiohead’s albums, you’ll probably find the DVD to be the only release this week of any value (though that LP box set looks pretty sweet, too). On it are 21 of their music videos, culled from each of the albums released on Capitol. The only glaring omissions are two videos done for Kid A, most notably Stanley Donwood and Shynola’s animated film for “Motion Picture Soundtrack.”

Unlike the single and double-disc CD sets, the DVD is arranged chronologically, so that viewers can truly see the evolution of the band from angst-ridden alt-rockers to representatives of the dark corners of the avant-garde. Pablo Honey alone is represented by four videos (three more than necessary, but I guess we must be thorough), most of which feature Thom Yorke mugging for the camera while the band plays on behind him. Radiohead’s visual style matured along with their music as they released 1995’s The Bends, and the directors they worked with began to forge dense narratives, as evidenced by the videos for “Just” and “High and Dry” (both the US and UK versions are on here, though the US version is the one worth watching). Jonathan Glazer proved especially good at translating Radiohead’s music into memorable visuals, with his beautiful time-lapse photography for “Street Spirit (Fade Out)” and the sinister car ride of “Karma Police.”

The real treat, however, is all the videos for Amnesiac and Hail to the Thief, most of which have never been released on DVD in the US. Michel Gondry’s astounding one-shot video for “Knives Out” is alone worth the price of admission, considering it was mercilessly removed from Gondry’s Director’s Label DVD at the last minute. Also essential viewing is Shynola’s ethereal computer animated video for “Pyramid Song,” featuring a polygonal character diving into an ocean filled with abandoned buildings and houses. One of the more surprising inclusions on this set is the video for “Pulk/Pull Revolving Doors / Like Spinning Plates,” directed by Johnny Hardstaff and featuring two Siamese twin babies whose chests get ripped apart by robotic machinery. The video isn’t as graphic as the description suggests, and the highly detailed machinery is actually quite beautiful to look at. Finally, out of the four videos for Hail to the Thief, the Jan Svankmejer-influenced “There There,” directed by Chris Hopewell, is the definite highlight.

Overall, Radiohead: The Best Of does a good job of showing a band in transition, as their video collection slowly goes from simply starring the band to reinterpreting their increasingly sinister, yet highly innovative music.

Wednesday, May 28, 2008

Music Review: Verve Remixed 4

One often wonders if Verve could’ve saved a whole lot of production costs if it had just lumped the best songs from the last three Verve Remixed compilations onto a single disc and released that instead. The same case could be made for the fourth volume in the series, which suffers from the same problem that plagued the earlier volumes, which is that not many DJs like to do a whole lot of tinkering to the classic compositions they are asked to remix.

Like volume three, which culled most of its remixers from the indie community (Postal Service, RJD2, and Danger Mouse, to name a few), volume four tries for thematic unity by recruiting globetrotting turntablists to work their magic on the Verve back catalog. It’s a gamble that pays off…for the most part. Nina Simone’s “Gimme Some,” a track originally rooted in the blues tradition, is given a Motown sheen by pop producer Mike Mangini, while French electro experimentalist Pilooski does a thumping cut-and-paste number on Simone’s “Taking Care of Business,” making it one of the biggest departures from the original and a definite highlight of the Verve Remixed series. Meanwhile, funk/jazz hybrid group Antibalas transforms the rhumba stylings of Patato & Totico’s “Dilo Como Yo” into something resembling an atmospheric outtake from Panda Bear’s last album.

But for every Pilooski and Antibalas, there’s a Truth & Soul, who simply add a beat to Dinah Washington’s “Cry Me a River” and call it a remix. Even more perplexing is Kenny Dope’s take on James Brown’s “There Was a Time,” which sounds like nothing has been altered, but still ends up being two minutes longer than its original incarnation. As always, the compilation ends on a downtempo note, with The Cinematic Orchestra taking Ella Fitzgerald’s cover of “I Get a Kick out of You” and laying some acoustic guitar over it, as well as a somewhat obnoxious vinyl-scratch sound effect. It’s an anticlimactic end to a somewhat lackluster compilation, but for the people at Verve, I suppose it’s business as usual. (In typical bureaucratic fashion, Verve decided to punish the people who actively searched for a physical copy of the album at record stores. A bonus, album-only remix of Ella Fitzgerald’s “Take the ‘A’ Train” by Mint Royale was added to the iTunes version of the album.)

Monday, May 26, 2008

Farewell, Sydney

Sydney Pollack has passed away. He was not only an outstanding filmmaker, with directing credits for Tootsie, Out of Africa, and The Way We Were, he was also an outstanding actor, with his final performance, as George Clooney's superior in Michael Clayton, being one of the acting highlights of 2007. He died of cancer at the age of 73.

Sunday, May 18, 2008

My Criterion Collection

I recently counted up all of the Criterion Collection movies I had the pleasure of viewing and found that I have seen over ninety of their titles. How well do you rank? (Titles are listed by Spine No.)

#1: Grand Illusion (dir. Jean Renoir)
#2: The Seven Samurai (dir. Akira Kurosawa)
#11: The Seventh Seal (dir. Ingmar Bergman)
#12: This is Spinal Tap (dir. Rob Reiner)
#13: The Silence of the Lambs (dir. Jonathan Demme)
#24: High and Low (dir. Akira Kurosawa)
#25: Alphaville (dir. Jean-Luc Godard)
#26: The Long Good Friday (dir. John Mackenzie)
#29: Picnic at Hanging Rock (dir. Peter Weir)
#30: M (dir. Fritz Lang)
#33: Nanook of the North (dir. Robert Flaherty)
#39: Tokyo Drifter (dir. Seijun Suzuki)
#40: Armageddon (dir. Michael Bay)
#46: The Most Dangerous Game (dir. Ernest B. Schoedsack & Irving Pichel)
#48: Black Orpheus (dir. Marcel Camus)
#51: Brazil (dir. Terry Gilliam)
#52: Yojimbo (dir. Akira Kurosawa)
#53: Sanjuro (dir. Akira Kurosawa)
#56: The 39 Steps (dir. Alfred Hitchcock)
#57: Charade (dir. Stanley Donen)
#61: Monty Python’s Life of Brian (dir. Terry Jones)
#64: The Third Man (dir. Carol Reed)
#65: Rushmore (dir. Wes Anderson)
#70: The Last Temptation of Christ (dir. Martin Scorsese)
#78: The Bank Dick (dir. Edward Cline)
#91: The Blob (dir. Irvin S. Yeaworth)
#97: Do the Right Thing (dir. Spike Lee)
#98: L’avventura (dir. Michelangelo Antonioni)
#100: Beastie Boys Video Anthology (dir. Various)
#102: The Discreet Charm of the Bourgeoisie (dir. Luis Buñuel)
#103: The Lady Eve (dir. Preston Sturges)
#104: Double Suicide (dir. Masahiro Shinoda)
#105: Spartacus (dir. Stanley Kubrick)
#107: Mona Lisa (dir. Neil Jordan)
#110: M. Hulot’s Holiday (dir. Jacques Tati)
#111: Mon Oncle (dir. Jacques Tati)
#112: Playtime (dir. Jacques Tati)
#116: The Hidden Fortress (dir. Akira Kurosawa)
#131: Closely Watched Trains (dir. Jirí Menzel)
#135: Rebecca (dir. Alfred Hitchcock)
#137: Notorious (dir. Alfred Hitchcock)
#138: Rashomon (dir. Akira Kurosawa)
#140: 8 ½ (dir. Federico Fellini)
#144: Loves of a Blonde (dir. Milos Forman)
#157: The Royal Tenenbaums (dir. Wes Anderson)
#164: Solaris (dir. Andrei Tarkovsky)
#166: Down By Law (dir. Jim Jarmusch)
#168: Monterey Pop (dir. D. A. Pennebaker)
#170: Trouble in Paradise (dir. Ernst Lubitsch)
#175: Fear and Loathing in Las Vegas (dir. Terry Gilliam)
#178: My Life as a Dog (dir. Lasse Hallström)
#190: Throne of Blood (dir. Akira Kurosawa)
#217: Tokyo Story (dir. Yasujiro Ozu)
#219: La Strada (dir. Federico Fellini)
#220: Naked Lunch (dir. David Cronenberg)
#221: Ikiru (dir. Akira Kurosawa)
#226: Onibaba (dir. Kaneto Shindo)
#230: 3 Women (dir. Robert Altman)
#233: Stray Dog (dir. Akira Kurosawa)
#247: Slacker (dir. Richard Linklater)
#251: Shadows (dir. John Cassavetes)
#260: Eyes Without a Face (dir. Georges Franju)
#265: Short Cuts (dir. Robert Altman)
#268: Youth of the Beast (dir. Seijun Suzuki)
#280: The Sword of Doom (dir. Kihachi Okamoto)
#287: Burden of Dreams (dir. Les Frank)
#288: F for Fake (dir. Orson Welles)
#300: The Life Aquatic with Steve Zissou (dir. Wes Anderson)
#302: Harakiri (dir. Masaki Kobayashi)
#307: Naked (dir. Mike Leigh)
#309: Ugetsu (dir. Kenji Mizoguchi)
#319: The Bad Sleep Well (dir. Akira Kurosawa)
#322: The Complete Mr. Arkadin (dir. Orson Welles)
#336: Dazed and Confused (dir. Richard Linklater)
#349: Kicking and Screaming (dir. Noah Baumbach)
#352: Jigoku (dir. Nobuo Nakagawa)
#353: Sólo con tu Pareja (dir. Alfonso Cuarón)
#374: Bicycle Thieves (dir. Vittorio de Sica)
#377: When a Woman Ascends the Stairs (dir. Mikio Naruse)
#381: La Haine (dir. Mathieu Kassovitz)
#385: Army of Shadows (dir. Jean-Pierre Melville)
#386: Sansho the Bailiff (dir. Kenji Mizoguchi)
#387: La Jetée (dir. Chris Marker)
#391: If…. (dir. Lindsay Anderson)
#393: Pitfall (dir. Hiroshi Teshigahara)
#395: The Face of Another (dir. Hiroshi Teshigahara)
#396: Ace in the Hole (dir. Billy Wilder)
#399: House of Games (dir. David Mamet)
#400: Stranger Than Paradise (dir. Jim Jarmusch)
#408: Breathless (dir. Jean-Luc Godard)
#413: Drunken Angel (dir. Akira Kurosawa)
#421: Pierrot le Fou (dir. Jean-Luc Godard)
#431: The Thief of Bagdad (dir. Ludwig Berger, Michael Powell & Tim Whelan)

Real Life Wall-E

As if I didn't need another reason to see the new Pixar film, apparently they went and built a real-life version of the title character. Take a look:

Saturday, May 17, 2008

Explorers Club Debut LP This Tuesday

I've been singing the praises of the Most Likely to Win a Beach Boys Sound-Alike Contest band, The Explorers Club, whose debut album, Freedom Wind, drops on CD and LP this Tuesday. It's a beautiful summer soundtrack, and one I will definitely be picking up when it comes out. For now, though, not only can you grab a couple free MP3s from the album, you can stream six tracks as a muxtape!

Wednesday, May 07, 2008

Criterion Goes Blu-ray!

Diehard cinephiles, get ready to buy your favorite movies all over again: The Criterion Collection will start releasing Blu-ray versions of existing titles this October. According to a recent e-mail sent to newsletter subscribers, "These new editions will feature glorious high-definition picture and sound, all the supplemental content of the DVD releases, and they will be priced to match our standard-def editions." Here's a look at the list of films slated for high-def release:

The Third Man
Bottle Rocket
Chungking Express
The Man Who Fell to Earth
The Last Emperor
El Norte
The 400 Blows
Gimme Shelter
The Complete Monterey Pop
Contempt
Walkabout
For All Mankind
The Wages of Fear


If one or two of those titles seem new to you, it's because they probably are. Kar Wai Wong's Chungking Express, Gregory Nava's El Norte, and Wes Anderson's directorial debut, Bottle Rocket, will be receiving the Criterion treatment for the first time.

MST3K: The Movie is Silently Released on DVD

For the longest time, the only way you could see the glorious slice of mid-90s nostalgia that was Mystery Science Theater 3000: The Movie was to either have a friend with a penchant for making VHS bootlegs or to have a YouTube account. Well, the folks at Rogue Pictures (Shaun of the Dead) decided to quietly give the film its long overdue DVD release this Tuesday. Of course, in typical bureaucratic fashion, the disc has zilch as far as extras are concerned. But the film looks great and, in the end, isn't that really all that matters? Here's my favorite moment:

Saturday, May 03, 2008

"This American Life" Returns to TV Tomorrow Night

I have recently come to the conclusion that I no longer have the time or the ability to discover new television shows by turning on the television. I now get my TV fix through my DVD player. Programs like "Human Giant" and "It's Always Sunny in Philadelphia" are so rarely shown on their respective networks that buying their seasons on DVD is the only way I am truly able to take them in.

Case in point is "This American Life." Not only have I never had time to listen to the NPR station here in Wilmington, and thus have to subscribe to the podcast version of the radio show; I also don't get Showtime, so I won't be able to tune in to the premiere of the second season this Sunday. However, I do have access to YouTube, and Showtime has been kind enough to bestow some clips from the upcoming season, including a second short film by animator extraordinaire Chris Ware (Jimmy Corrigan, The Smartest Kid on Earth):



"This American Life: Season One" is available on DVD exclusively at Borders bookstores (trust me, it's worth the effort). Season Two debuts tomorrow night at 10 PM on Showtime or, for those without Showtime, probably the next day on YouTube.

Thursday, May 01, 2008

Hooray! Another short film complete!

This one's called Ball and, despite its short running time and simple premise, was a bitch to put together. Rotoscoping every single one of those frames literally drove me crazy. I think I frightened a few of my friends when they interrupted me working on this thing in the editing lab. Anyway, here is the finished result:



The song is "It's Okay" by the delightful PWRFL Power, off his self-titled EP, which you can purchase for a whopping $4 at the Catbird Records website.

Tuesday, April 29, 2008

Disney Repackages Existing Documentary Footage, Slaps Some Sigur Rós on It, Hopes Nobody Notices



So...I thought the idea behind Walt Disney Pictures' new nature documentary division was that they would be making new nature documentaries, not just taking existing footage from the hit BBC miniseries Planet Earth and editing it down to a feature-length film. Videogum said it best when they hypothesized that it was a shot-for-shot remake, with Vince Vaughn as a polar bear. What truly baffles me is the release date. Does it seriously take Disney so long to edit the show down to 90 minutes that they have to push the release all the way to Spring 2009?

Oh, and the Sigur Rós soundtrack only makes me wish Disney were releasing Heima in theaters instead of this.

Monday, April 28, 2008

The new Coldplay album cover + more!

Coldplay's official website just released a bunch of updates about their new album, including the cover art:


I gotta say that I'm impressed. It was getting to the point where it didn't feel like the band was putting any effort into coming up with album art, so even though it looks like all they did was splatter the title over a pre-existing painting, kudos for being different this time around.

Their website also says that on Tuesday at 12:15pm UK time (that's 6:15pm here on the east coast), they'll have a free download of their first single "Violet Hill," and that the May 7 issue of NME will come with a free 7" of the new single, plus b-side "A Spell A Rebel Yell". You can already pre-order the issue online (it'll set you back about $25 if you want it shipped to a US address).

Finally, Coldplay will be playing two free shows, one at the Brixton Academy in London on June 16, and one at Madison Square Garden on June 23. Details on how to obtain tickets for these shows will be posted soon.

The new album, Viva La Vida or Death and All His Friends will be released stateside on June 17.

UPDATE: More info on the origin of the painting on the cover, courtesy of Sleevage.