Sunday, December 31, 2006

Best of '06 Radio Show on WUAG 103.1 FM!

I'll be doing my radio thing this afternoon from 1 to 4 PM on WUAG 103.1 FM Greensboro. You can tune in online at wuag.net by clicking on the "Live Stream" button in the menu bar. It'll be called the "Best of 2006 Double Dose" as I play two tracks from each of my favorite albums of '06. Expect some Gnarls, Flaming Lips, Art Brut, Guster, Band of Horses, and who knows what else? Plus, if you call (336) 334-5450 and make a request, I might be so kind as to play it on the air!

Also, if you have no plans for New Year's Eve (like me), you can tune in to Turner Classic Movies' Marx Brothers Movie Marathon, which begins at 8:15 PM with Duck Soup and continues all night with selections like Horse Feathers, Monkey Business, A Night at the Opera, and A Day at the Races.

I'd like to wish a very happy New Year's to everyone out there in blogland! See you in '07!

Tuesday, December 26, 2006

Hall of Awesome 2006: Top 5 Music Videos

Music video pioneers Cunningham and Gondry were in fine form this year (Gondry even made the Movies of the Year list), but it was newcomers Kris Moyes, Jon Watts, and the always awesome OK Go that came out on top this year in the music video department. Also worthy of note are Daft Punk, who take home the Most Disturbing Video award for their seriously f*cked-up video for "The Prime Time of Your Life" (needless to say, not safe for work or children). Don't forget all those wonderful musicians with Hollywood connections, as Gnarls Barkley and The Raconteurs prove it helps to know crazies like Dennis Hopper and Pee-Wee Herman.

1. The SoftLightes, “Heart Made of Sound” (dir. Kris Moyes)
By the way, a better quality version of this video can be found at the director's homepage.

2. OK Go, “Here it Goes Again” (dir. Trish Sie and OK Go)

3. The Spinto Band, “Oh Mandy” (dir. Jon Watts)
Same goes for this guy, too.

4. The Horrors, “Sheena is a Parasite” (dir. Chris Cunningham)

5. Beck, “Cellphone’s Dead” (dir. Michel Gondry)


Most Disturbing Video:
Daft Punk, “The Prime Time of Your Life” (dir. Tony Gardner)

Best Use of Celebrities (tie):
Gnarls Barkley, “Smiley Faces” (dir. Robert Hales/feat. Dennis Hopper and Sam Rockwell)
The Raconteurs, “Steady, As She Goes” (dir. The Malloys/feat. Paul Reubens)

Saturday, December 23, 2006

Hall of Awesome 2006: Top 10 Albums of the Year


10


GRIZZLY BEAR
Yellow House








9


MARITIME
We, the Vehicles








8


BAND OF HORSES
Everything All the Time








7


THE RACONTEURS
Broken Boy Soldiers








6


BELLE & SEBASTIAN
The Life Pursuit








5


GUSTER
Ganging Up on the Sun








4


CAMERA OBSCURA
Let's Get Out of This Country








3


THE DECEMBERISTS
The Crane Wife








2


GNARLS BARKLEY
St. Elsewhere








1


THE FLAMING LIPS
At War with the Mystics







For some reason, most critics were quick to dismiss The Flaming Lips' 2006 release, angry that they had seemingly abandoned the style they had set in stone on 1999's epic masterpiece The Soft Bulletin and its 2003 follow-up, Yoshimi Battles the Pink Robots. If only these people had listened to the album a few more times, they would have heard the Lips' most psychedelic and surprisingly consistent album since Bulletin was released seven years ago (has it really been that long?) Of course, no Best Of list would be complete without mentioning Gnarls Barkley, who exploded onto the scene with that one song no one can seem to get out of his or her head (you know the one). The Decemberists had another excellent year, topping the success of 2005's Picaresque with their Atlantic Records debut, in addition to a well-publicized battle with Comedy Central news pundit Stephen Colbert. Camera Obscura was shamefully omitted from Stereogum's list, a glaring omission considering that they not only out-Belle-and-Sebastian'd Belle & Sebastian, they gave this shy person the strength to get up and do what needed to be done.

It was totally an impulse buy when I stumbled across the new album from Guster at a Borders bookstore, but it was a lucky find, as Ganging Up on the Sun contains some of the catchiest melodies ever set to disc, and Belle & Sebastian did an excellent job of breaking new ground on The Life Pursuit, an album that not only contained '60s throwback R&B and Japanese hyper-pop references, it (dare I say it?) rocked my f*ckin' socks off! Speaking of rock, why are so many bloggers turning a cold shoulder to The Raconteurs? Not only was it a great side project for all those involved, it spawned some infectious hit singles, and a couple awesome non-singles (fav track: "Yellow Sun"). I was already a fan of Band of Horses back when they were opening for Iron & Wine and only had a few demo tracks to their name. Now, their Sub Pop debut is out and everyone's finally caught up. And, finally, we have Maritime and Grizzly Bear, two bands that released solid debut albums, but now they're in the big leagues. Time to pull out all the stops and go for the gold with their sophomore releases...and Indeed They Did.

Here are all my Honorable Mentions of the year, too:






Congrats to those that made the list. You are now eligible for a roundtrip for two to Butte, Montana.

Also, even though I totally picked Someone Still Loves You Boris Yeltsin as my fav new artist of '05, and although Broom "officially" came out that same year, it's still on my list. Deal with it.

P.S. This is prob'ly gonna be my last post before Christmas, so a very Merry Christmas to you and yours. Nustle up by the fire, pour yourself a cup of hot chocolate, and put some music on. I highly recommend Sufjan Stevens' Songs for Christmas EP box set, containing not only some of the best renditions of old holiday classics, but also some of the best original Christmas music ever written. I'm serious, folks. It's nog-tastic!

Monday, December 18, 2006

A new look for Blogger

You may notice some small changes on my blog. This is because I recently made the switch over to Blogger Beta, which takes advantage of various Web 2.0 devices like tags, labels, built-in drop down menus, and the like. So, from now on, all posts on this blog will include tags (usually no more than two or three per post). So, if you'd like to see what other posts I've written on the subject of Gnarls Barkley, click on the "Gnarls Barkley" tag at the bottom of one of those posts. Of course, all pre-Blogger Beta posts don't have tags and I probably won't be working to update them any time soon (I don't have that much free time!) Also, I've tried using the new drop-down Archive menu in the sidebar, and it works...up to a point. It seems that if you try to find back-posts before July of this year, you'll get a little "Loading..." notice, and then nothing. I assume they're working on it. Which brings me to another announcement. Since this new version of Blogger is in beta, it's important that my readers keep me informed if they start noticing any bugs on this website. If you see something that looks out of place, or if a feature suddenly doesn't work anymore, send me an e-mail to devin@dimattiafilms.com.

Thanks, gang!

Sunday, December 17, 2006

Hall of Awesome 2006: Movies of the Year

Whoo. I think I went a little overboard on the Best Of lists last year, so this time, I'm gonna keep things simple. Best Movies...then Best Music. Let's begin, shall we?

Devin's Top 10 Films of 2006:

  1. Children of Men
  2. A Prairie Home Companion
    When Robert Altman passed on, he left behind a legacy of ridiculously innovative and astounding motion pictures, of which his most recent addition, A Prairie Home Companion, is no exception. Based on, written by, and starring NPR personality Garrison Keillor and his seminal, old-timey radio show, the film manages to capture the heartbreaking nostalgia of the early years of radio while conjuring up the inevitable wheels of progress that haunt the film’s stellar cast. Virginia Madsen gives an especially chilling role, not as a person, but more as an idea. The idea that all men and women will one day leave this earth, and that our life here is all too short. But if it never ended, what would be the point of it?
  3. Little Miss Sunshine
    In your face, Napoleon Dynamite! Music video masters Dayton/Faris tackle the quirky absurdist comedy genre with hilarious results. Each one of these characters is fleshed out with some of the best story arcs ever put to film, and the script by Michael Arndt is so well-constructed that not a dull moment passes before your eyes. Please, somebody give Abigail Breslin an Oscar!
  4. The Departed
    Departed editor Thelma Schoonmaker is either insane or a genius. Jump cuts fly past the screen like Jean-Luc Godard on speed. Scenes feel like they were cut with a meat cleaver and stuck together with duct tape. It fits the theme of the film perfectly, which is you can’t trust anyone, so you might as well just kill everyone. One of the joys of watching mob movies (and make no mistake, this is a mob movie) is that you can’t help feeling like both the organized crime ring and the staff of undercover cops are simply wasting both groups’ precious time, constantly reaching impasse after impasse, forever coming up even. It seems like, according to Scorsese, once you’ve reached the top, the only way to go is down.
  5. Old Joy
    Basic plot structure for Old Joy: Man meets up with old college friend, both go to the mountains for a couple days, contemplate the state of their existence, and then go their separate ways. Old Joy joins the ranks of Lost in Translation and Mr. Hulot’s Holiday as one of the great “movies about nothin’,” but as always, there’s plenty more than meets the eye. Director Kelly Reichardt uses her sparse camerawork and minimalist plot to transform the film into an existential mood piece, a film where every facial expression and every sigh the actors emote has a purpose; where every action, no matter how insignificant, has a deeper meaning.
  6. Borat
    When he’s not making fun of Kazakhstan’s backwards culture and surroundings, Sacha Baron Cohen’s undeniably adored Kazakhstani journalist is taking a hot skewer to American ideals, as well as our blatant ignorance of the world around us. What this movie lacks in authenticity, it more than makes up in laughs. An extended sequence in the middle of the film, featuring a nude Cohen and Ken Davitian wrestling in a hotel room, is as equally shocking and hilarious as most of the sex scenes featured in Shortbus (see below).
  7. The Prestige
    Über-awesome director Christopher Nolan reunites with his Memento-penning brother Jonathan for this, his fifth feature film. Once again featuring an excellent ensemble cast, including Labryinth star David Bowie, both Nolans capture the spirit and mysticism of 18th century magic, mixed with a good ol’ fashioned Hitchcockian suspense story.
  8. The Trials of Darryl Hunt
    The best film I saw at Cucalorus this year was also the film that made me the angriest. This documentary about one of the worst-handled homicide cases in North Carolina’s history just goes to show how damaging racism can be. It also profiles a man’s faith in God and how much courage he has to have in order to sustain that faith. The Trials of Darryl Hunt is the best documentary of 2006. Read my full review.
  9. Thank You for Smoking
    Throughout the history of cinema, audiences’ love of heroes has only been exceeded by their love for villains, a fact that director Jason Reitman exploited by casting the undoubtedly charming Aaron Eckhart as the slimy, quick-witted tobacco lobbyist Nick Naylor. When we’re not laughing at his antics, as well as those of the M.O.D. Squad (Maria Bello and David Koechner), we find ourselves rooting for the very man we’re supposed to hate. Damn you, Eckhart!
  10. The Fountain
    Darren Aronofsky has always walked a fine line between brilliance and frustration. His previous film, Requiem for a Dream, was a stupendous, postmodern, anti-drug movie, but while viewing it, you can’t help but think that maybe he was a little too hard on his star actress Ellen Burstyn. Unfortunately, her acting chops go largely unnoticed in this, his latest film, instead focusing on Hugh Jackman and his slowly wilting flower, Rachel Weisz. Though Aronofsky ultimately bites off more than he can chew thematically, the film is a refreshing burst of energy and optimism in an otherwise drab and unoriginal cinematic world. It’s 2001 for 2006.
  11. The Science of Sleep
    What kind of year would it be without another brilliant movie from Michel Gondry? 2006 was a good year for him, with the release of this, as well as his docu-musical Dave Chappelle’s Block Party. And while The Science of Sleep oftentimes feels like a low budget Eternal Sunshine, the eccentricities certainly stand out more, and Gondry’s madcap directing style gives ample opportunity for some great performances by his equally eccentric cast.

Honorable Mention: Bubble (Steven Soderbergh’s Mini-DV masterpiece, complete with a stellar performance by a former Kentucky Fried Chicken manager), A Scanner Darkly (Richard Linklater's brilliant anti-drug "drug movie" ought to be considered for a Best Animated Feature Oscar, but it won't), Shortbus (John Cameron Mitchell’s sexual endeavors know no limits, but the joyous cacophony of this film simply cannot be denied).

Monday, December 11, 2006

Merry Christmas, Zach Braff!



I wish I knew more about Scrubs so that I would've laughed more at their send-up of A Charlie Brown Christmas. Still, any day I get to see Zach Braff provide the voice of Charlie Brown is a good day. Enjoy!

(Thanks, Drawn!)

Saturday, December 09, 2006

Top 50 Music Videos of 2006

Now, with the whole YouTube craze upon us, it's time once again to revisit the always-awesome DoCopenhagen blog and their Top 50 Music Videos of the Year list. Last year, downloadable links were provided for all the videos, but now you can watch each and every one of them directly from the site. Cool deal!

Here are some of my picks from the list:

#1: OK Go, "Here it Goes Again"
No big surprise there.

#3: Gnarls Barkley, "Crazy"
While not their best video (that goes to the "Smiley Faces" video with Dennis Hopper and Dean Stockwell), the Rorshach test effect is trippy. Plus, it's "Crazy" so...yeah.

#30: The Horrors, "Sheena is a Parasite"
Chris Cunningham took the top spot last year with his creepy-as-f*ck "Rubber Johnny" video, and while this one can't compare, it is pretty awesome given its brief running time, and it's fun to see all the crazy stuff he does to 2-time Oscar-nominated actress Samantha Morton.

#34: Gnarls Barkley, "Gone Daddy Gone"
Certainly the band's creepiest video. If you ever wondered what Cee-Lo and Danger Mouse would look like in bug form, now's your chance.

That just scratches the surface of the wealth of awesome videos you'll find on his site. Go and see for yourself.

It's a Beautiful Day in the YouTube Neighborhood

Fresh from Yewknee is this quirky and unintentionally hilarious McDonald's commercial from the 1980s:



These are the kind of things YouTube was made for. I mean, it's got all the elements:

1. It's classic retro.
2. It prominently features a celebrity (Jason Alexander) while he was still in pre-celebrity status.
3. It's long. Over a minute, so there's plenty of ridiculousness to go around.
4. The product these whacked-out people (Alexander included) are selling is totally absurd. It seems so psuedo-futuristic to put the lettuce and tomato in its own, separate container!

Plus, now that the whole Michael Richards thing is behind us, it's nice to see another Seinfeld alumni back in the limelight. I'm sure Alexander doesn't care that this commercial's out. He did hawk Kentucky Fried Chicken shortly after Seinfeld!

Wednesday, November 29, 2006

Another Classic Onion Article

The Onion

Focus Groups Hated It Right Up Until Guy's Head Got Cut Off

LOS ANGELES—A focus group of 150 people who saw this one movie, Fox Searchlight's modern adaptation of some Charles Dickens classic, were...

New Sondre Lerche Video - "Phantom Punch"



Album of the same name will be out in January.

The Zippers Return?

Holy sh*t! Is this for real?

After years and years of heartbreak, disdain, cold shoulders, and wistful nostalgia, the Squirrel Nut Zippers are finally making their return to the stage, and at the Cat's Cradle! You may not know it, but the Zippers are one of my favorite bands of all time, and have been that way ever since 1998. I have all of their albums, including the Sold Out EP, which I picked up at one of their shows in Winston-Salem in 2000, when they were touring in support of their fourth, and ultimately their last, full-length album, Bedlam Ballroom.

At that time, they had already lost founding members Ken Mosher and Tom Maxwell, the latter of whom had written their only hit, "Hell," and even though the Zippers left me speechless when they performed that evening, it didn't look like the future would be a good one for the band. The swing revival had come to a close, the Zippers disbanded and went about their separate ways. Lead singer James Mathus formed the Mississippi blues group Knockdown Society, his then-wife Katharine Whalen started a solo career (they divorced in '04; her second album was just released this year), and Maxwell and Mosher teamed up as the duo, you guessed it, Maxwell/Mosher and toured a little, performing the songs they both had written for the Zippers. They also won a lawsuit against the rest of the band, claiming they were withholding royalties, forcing the Zippers to cough up $155,000. As a matter of fact, only Andrew Bird, who performed violin as a sort-of auxiliary member of the Zippers, went on to find success, wowing the music blogs with his sweeping 2005 album The Mysterious Production of Eggs.

But I guess they're back! Though according to this article from the News & Observer, it looks like the concert will be held for purely financial reasons. "We wouldn't be trying to re-form the group to make records and get on the radio," Whalen says. "It would be more about us surviving. The idea would be to do maybe three shows, probably just a couple of corporate gigs for some money. We'll be paying off that settlement for two more years, so it would be cool to play a few nights and just make that go away."

Still, it's better than nothing! See you at the Cradle on Feb. 8! (If only it would be held on the 16th, my 21st birthday. Then, I could get drunk, too!)

Tuesday, November 28, 2006

I'm Lovin' It

Stephen Heintz is quite possibly the funniest man on the Internet (and if he's not, he's second only to the Brothers Chaps). Case in point? Acid Zen Wonder Paint.

Anyway, he posted on his LiveJournal about being propositioned by a drunk prostitute outside a McDonald's (an everyday occurance, I'm sure).

All I'm saying is I wish I could write like that.

Tuesday, November 14, 2006

Someone Still Loves You Boris Yeltsin - "Pangea" Video

The boys from Someone Still Loves You Boris Yeltsin have put together a fun little video for their leadoff track on Broom, which you can still order from Polyvinyl for ten bucks! In either CD or vinyl!



I doubt it's intentional, but this video reminds me a lot of that Thrills video by that guy I mentioned a couple months ago.

Monday, November 13, 2006

See a Video, Make a Video

There's an awesome music video by Modular for the band The Soft Lightes. Cool use of color and stop-motion animation.

Also, if you're pissed off that you lost Stephen Colbert's Green Screen Challenge, you can help design the new Decemberists video! They've recorded themselves singing "O Valencia!" in front of a green screen. Now, it's up to you to put some crazy crap behind them! Good luck!

Kiwi!

I know YouTube and Drawn! have already featured it, but I wanted to show you guys this very funny, well-made computer animated short entitled Kiwi!:



One of the things that most computer animators don't seem to understand is they have to have an interesting story to go along with all those visuals. Pixar gets it, and so does Dony Permedi, who did this film.

Saturday, November 11, 2006

Spotlight on Cucalorus: Three Movie Reviews in 75 Words or Less

Dirt Nap
(Director: D.B. Sweeney; Cast: John C. McGinley, Paul Hipp, D.B. Sweeney, Ed Harris, Moira Kelly, Pat Hingle, Janet Jones, Mark Moses, Rex Linn, Ned Bellamy, Vanna White; dirtnapmovie.com)

Road movies always have their share of clichés and obligatory scenes. Dirt Nap takes those preconceived notions and turns them on their collective head. When three middle-aged slackers decide to take a trip to Florida for a football game, their whole world gets turned around, and their lifelong friendship is placed under close scrutiny. A fine cast all around, and an especially fascinating cameo appearance by Ed Harris as an amputee carnival owner.

Old Joy
(Director/Writer/Editor: Kelly Reichardt; Co-Writer: Jonathan Raymond; Composer: Yo La Tengo; Cast: Will Oldham, Daniel London)

Quiet, provocative filmmaking. People think a movie like this should be boring, but it is anything but. Two men who haven’t seen each other in years spontaneously decide to take a trip to the mountain springs of Oregon. While no major revelations are made, the characters re-evaluate their relationship, and start to realize just how far they’ve come in the many years they’ve known one another. Beautiful cinematography, gorgeous score by Yo La Tengo.

Shortbus
(Writer/Director: John Cameron Mitchell; Original Score: Yo La Tengo; Cast: Sook-Yin Lee, Paul Dawson, Lindasy Beamish, PJ DeBoy, Raphael Barker, Peter Stickles; shortbusthemovie.com)

A sexual revolution has begun, and writer/director John Cameron Mitchell is its muse. From a story developed by his cast, Mitchell gives us sex as a joyous combination, not only of body, but of spirit. Hearts are broken and mended again. New sexual heights are reached. All who enter the Shortbus salon are freed from the depression and anxiety of a post-9/11 New York City. Once again, Yo La Tengo delivers the perfect musical accompaniment.

An excellent review of Shortbus may be found here.

Friday, November 10, 2006

Spotlight on Cucalorus: 13 Tzameti

The first narrative I've seen at Cucalorus, and also the most unsettling. In this French film, a poor roofer stumbles across a drug addict's plan to make some big money fast. Fortunately, the addict overdoses before he has the chance to collect, and the roofer is left with a striped envelope containing a train ticket and a hotel reservation. What follows is a sick and twisted multi-player game, where the winner is handsomely rewarded, but the losers...well, you can probably guess what happens to them:



Even though an American remake is already in the works (of course), I'm really glad I saw the original first. I'm sure any American studio would jump at the chance to jazz up 13 Tzameti's ridiculously simple, but riveting storyline. The only problem is the story needs no jazzing up. The film's low-budget, black-and-white production only adds to the look of the film's dark and dingy locations, especially the rooms in which the game takes place, where a single light bulb is the only indicator of whether you will live...or die.

Spotlight on Cucalorus: Al Franken: God Spoke

Day 2 of Cucalorus, and the documentaries keep on coming. The Al Franken biopic God Spoke was definitely more lighthearted fare compared to last night's proceedings, but it was still a very fun and very entertaining movie.

When Saturday Night Live alum Al Franken became the target of right-wing radio and TV personalities (maybe it's 'cause he named his first book Rush Limbaugh is a Big, Fat Idiot?), it set off an endless string of debates and yelling contests, usually between Franken and any combination of Sean Hannity, Ann Coulter, and Bill O'Reilly. Especially Bill O'Reilly. After O'Reilly and Fox News raised a ruckus over what they believed to be copyright infringement (Fox claimed a trademark on the words "fair and balanced," which were part of the title of Franken's new book), the courts threw out the case and Franken laughed all the way to the bank as the free publicity shot his book, Lies and the Lying Liars Who Tell Them, to the top of the Amazon.com Best Sellers list.

The film begins with the release of Franken's book and the backlash it received, follows Franken as he haphazardly jumpstarts the first liberal radio station, Air America Radio (which, sadly, has since declared bankruptcy), and as he follows the Kerry campaign during the election of 2004. It's hard to watch the scenes where Franken seems so optimistic about Kerry's certain victory, knowing what surely lies ahead. And filmmakers Nick Doob and Chris Hegedus pull no punches. They show Franken's meltdown after Bush's re-election, ultimately leading to his decision to possibly run for Senate in Minnesota during the 2008 elections.



What I enjoyed most about this film is what I enjoy most about Franken: his sense of humor. He can always turn any depressing political situation into a scathing, satirical one-liner. Even when he's calling out radio personality Michael Medved or going one-on-one with Sean Hannity, he keeps his cool and lets the facts do the talking. Especially hilarious are his bits from Saturday Night Live, notably one in which Franken, as his Stuart Smalley character, consoles a depressed, post-election Al Gore. Also worth mentioning are his USO appearances in Iraq, one of which appears in the film. Franken, dressed as Saddam Hussein, tries to hit on JAG actress Karri Turner. Unfortunately, not much more of his USO tour is shown in the film, which is sad, because if his article about the tour, "Tearaway Burkas and Tinplate Menorahs," is any indication, there's a lot of extra material that's a whole lot funnier. I highly recommend anyone interested in more information on Franken to read that article, which can be found in the 2005 edition of The Best American Nonrequired Reading.

Overall, a solid documentary about a very funny man. For more information on the film, visit www.godspokefilm.com.

Wednesday, November 08, 2006

Spotlight on Cucalorus: The Trials of Darryl Hunt

Today marks the kickoff of Wilmington, North Carolina's premier independent film festival, Cucalorus, now in its twelfth year. The film that opened this year's festivities was the documentary feature The Trials of Darryl Hunt, and I can already tell you, it's going to be very, very hard to top this picture in terms of emotional impact from an audience.

The film relays the story of one Darryl Hunt, a 19-year-old black man who, in 1984, was convicted of raping and murdering a white woman in Winston-Salem, North Carolina. What followed were ten sad and horrifying years of judicial corruption, police incompetence, and outright bigotry, in a scandal that, if it hasn't yet rocked the judicial system of North Carolina to its very core, this film most certainly will. Even after DNA evidence proved Hunt's innocence in 1994, he still remained in prison for an additional ten years, due to the district attorney's stubborn belief that the DNA evidence was either contaminated or inconclusive, even though there was no evidence that either was true. Finally, on Christmas Eve of 2003, Darryl Hunt was released from prison and now walks free. The state gave him compensation for their wrongheadedness, but no amount of money can take back the 19 years of wrongful imprisonment this man has faced.

The Trials of Darryl Hunt is most certainly the best documentary I have seen all year. Yes, better than An Inconvenient Truth and Wordplay. I have always believed that, when the story and its people are handled with the proper respect and admiration, a documentary can be ten times more powerful than any narrative film could ever be. The only reason this film won't be nominated for a Best Documentary Feature Oscar is because it has not enjoyed even a limited release in select cities, a requirement that must be fulfilled before the end of the year. The general public is stuck with having to search far and wide for any film festival where this production is being screened. It's worth the time to look, believe me.

However, my screening of the film was unique, in that Darryl Hunt himself, as well as defense attorney Mark Rabil were present to answer any questions following the screening. The two did not appear until after the screening, prompting one person to ask if Hunt has the strength to view this film again. "No, I don't think I have it in me," he exclaimed. Countless questions were asked, emotions were charged. Hunt took questions asking for his future plans, his feelings toward the whole debacle, and Rabil answered questions relating to the litigation and specifics of the case, which Rabil had worked on since the court appointed him to the case in 1984. One interesting question was why there is no accountability when it comes to district attorney's making cases on fraudulent evidence or withholding evidence altogether, something that Hunt and Rabil experienced during both times their case went to trial (the second trial was in 1990). Rabil said that the three most important things people can do are to vote, serve in a jury, and support causes like Hunt's, who created the Darryl Hunt Project for Freedom and Justice to help individuals, like him, who have been wrongfully accused of crimes, and to educate the public about flaws in the justice system.

Out of all of this, what struck me the most was how kind and pleasant Hunt seemed. Even while district attorneys were frothing at the mouth, begging juries to send down a life sentence, Hunt's face remained stoic. A man with a strong faith in God, as well as a strong faith in his peers, his friends, and his family. Surely, no stronger man has lived.

The Trials of Darryl Hunt did make the Academy's shortlist for Best Documentary Feature, but ultimately was not nominated for the award, in favor of films focusing on more current events, such as global warming and Iraq.

The film will, however, be shown on HBO in April 2007.

Tuesday, November 07, 2006

Get the Vote Out!

Despite harsh weather conditions, an increasingly upset stomach, and the fact that I couldn't find my polling place, I was still able to get my vote cast in this year's midterm elections. If you haven't yet, please don't let your voice go unheard!! And then, once you've voted, tune in to Comedy Central's "Daily Show Midterm Midtacular" at 11 PM. It'll be broadcast live and will merge both "The Daily Show" and "The Colbert Report" into one pseudojournalistic behemoth!!

P.S. Didja see Stewart and Colbert on the cover of Rolling Stone? Classic.