Movie review: Fear(s) of the Dark

You gotta hand it to the French: they sure do love a good anthology. Last year’s Paris Je T’Aime had the considerable task of taking over fifteen short films from a wide range of directors (including American favorites like Joel and Ethan Coen, Wes Craven, Alexander Payne, and Gus Van Sant) and stringing them together in a multi-faceted look at France’s most cherished city. Now, Fear(s) of the Dark attempts to take the French anthology feature to the darkest points of the imagination, using an extremely limited color scheme (black, white, and various shades of gray) and a variety of talented animators of many nationalities.

Of course, the unfortunate truth is that Fear(s) of the Dark varies wildly in terms of quality and enjoyment. The biggest mistake that the curators of this miniature film festival make is chopping up three of the six entries and interspersing them throughout the program, making it hard for the audience to discern when (and if) those entries have reached their conclusion. Pierre di Scuillo’s short, in which a woman rambles on about her many fears while abstract images morph on the screen, works as a good transitional device, but shorts about a Japanese samurai ghost and an evil man with four vicious attack dogs would’ve had more impact if they were shown without interruption. Though this might come off as a little bias, the best shorts were the ones from the Americans, cartoonist Charles Burns and animator Richard McGuire. The former’s story, about a socially awkward college student with an unhealthy fascination of insects, does an exceptional job of creating a protagonist that has to earn its sympathy from the audience, as the young man (voiced by the late Guillaume Depardieu) changes from willing participant to hapless victim.

While most of the entries in Fear(s) of the Dark qualify as unsettling or disturbing in some way, McGuire’s short (the last in the program) is the only one that is downright scary. McGuire’s minimalist animation style makes the previous entries seem flamboyant by comparison, as he relates the wordless story of a man taking shelter in a house during a snowstorm, only to find that he may not be alone. So while Fear(s) in the Dark, as a whole, may not be a sweeping success, it does make me wish that new installments would show up each Halloween as opposed to new Saw films.