Your Friendly, Neighborhood Spider-Man 3 Review

Spider-Man 3 has an excellent beginning and ending. What it is in dire need of is a good middle.

Let's face it. Each Spider-Man film has only been as good as its villain. In the first installment, we had the excellent Willem Dafoe. In the undoubtedly superior sequel, we had Alfred Molina. This time around, we have two main villains, and neither really seem to be given the time or character development that was graciously bestowed onto the last two antagonists of the series. Thomas Haden Church does a great job with what little he is given to work with, while Topher Grace seems to be out of place in this movie, playing a overtly stereotypical bad guy in a series that's been heralded for avoiding stereotypes.

What makes this even more frustrating is the fact that instead of focusing on fleshing out these characters, Sam Raimi and company spend a large amount of time on a hokey montage, showing Tobey Maguire dancing like an idiot down a New York City street (apparently, that black goo that gets on him at the start of the movie makes him dress like an emo kid and act like Will Ferrell's character from Night at the Roxbury). The Spider-Man franchise has always had its share of goofiness (the ever-popular Bruce Campbell cameos are proof of this), but it should not detract from the overall thrust of the story. In fact, so much of the film focuses on Peter Parker sabotaging his relationship with Mary Jane, you almost forget you're watching a superhero movie.

At least the special effects are impressive. The visuals employed for the Sandman are top-notch, while the horrific look of Venom ranks as one of the best creature designs this series has yet produced. As always, the supporting cast is wonderful, with Rosemary Harris (Aunt Mae) and J.K. Simmons (Daily Bugle editor J. J. Jameson) delivering another great set of performances. Newcomer Bryce Dallas Howard, as Parker's newest love interest, does alright, though it's nothing special.

With Spider-Man 3, the franchise proves its on its last legs, and while the film itself is not unwatchable (despite it's shortcomings, it's quite entertaining), it does not bode well for future installments.

UPDATE: Screenwriter John August has posted an article dissecting Spider-Man 3 on his blog, and I totally agree with him. The film is chock full of coincidences, a lot of them wholly unnecessary. He also reminded me of something I forgot to mention in this review. Why bother casting the wonderful actor James Cromwell in your movie if you're only going to have him give a few lines of expository dialogue, and as a police chief no less? I mean, seriously: How many times has James Cromwell played some form of law enforcement official? (According to IMDb, at least ten.)